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ONE OF A KIND Monotype:

Part of my ‘Anthropocene Landscape Series’. Monotypes with drawing challenge me to instill precision and clarity onto the most fleeting, inexpressible aspect of my landscapes: changes in atmosphere, climate, and violence to the land. My faults in the process of manipulating the ink, and the unique surfaces of each piece of paper breathe a bit of chaos, dust, and air into the land. 

Representing human encounters with a damaged post-industrial landscape, this body of work draws from concrete realities about our present day earth. Murray Bookchin writes about a split that happened between the Human and Nature, via the transition from Nomadic Life, into Societal Life. Could our environmentally destructive legacy of Pollution, Nature-domination, Environmental-Colonialism, and Neo-Liberalism have been avoidable? How might a person in this alternate timeline survive, and relate to the land? I imagine this parallel story, where engineering, and surviving the harsh elements, is in the hands of a wandering nomad. Although the human figure isn’t present, we see life scenarios through inhabited spaces, and simplistic technologies to interact with the elements. Some mechanisms generate wind-power, hydro-power, or solar, and some are shelters with a duel function of collecting rainwater for plants and drinking. In the structures’ precariousness, and sometimes futility, they reflect on the fragile relationship between humanity and nature.